When I think of the best runs of Marvel comics in history, the Dan Slott She-Hulk is right up the top of my list, usually only a little behind Brubaker Captain America and Lee/Kirby Avengers. Losing her job with the New York DA thanks to too much partying, Jennifer "She-Hulk" Walters is recruited by the firm of Goodman, Lieber, Kurtzberg & Holliway to practice 'Superhuman Law'. What follows is an enjoyable mix of superhero action and legal drama, showing a side of the Marvel Universe that isn't often seen, but serves to ground all of the cosmic gods, animal-themed villains and assorted costumed nonsense. Just to give you a taste, there is a scene where Shulkie sites precedents including "Plunder v Plunder" and "The People v Thanos", among others. Add to that speedster-couriers, shape-shifting process-servers and Awesome Andy, the intern, and the fantastic blends perfectly with the more mundane legal setting. Of course, there's still plenty of Shulkie smash in the series and lots of guest stars, particularly from the Avengers and the broader Hulk series.
Much like previous comic series I've covered, like X-Factor and Captain America, the poorer bits of She-Hulk are those that are required to interact with the crossover storylines, like Civil War and World War Hulk. This being a She-Hulk story, however, that's just more fodder for the jokes and stories involving lawyers, especially with Jennifer promoting the Superhero Registration Act and doing a lot of the paperwork to get other heroes signed up; in fact, her tie-in issue has almost no punching, which is kind of refreshing for that particular event. There's quite a lot of justifying various "plot holes" in She-Hulk's history in this run, but the sense of fun and playfulness in which it is done just adds to the enjoyment. The concept that a superhero would be sick of their fans pointing out the gaps in their "continuity" is utterly hilarious to me, especially as Marvel Comics are published and widely read in the Marvel universe. No, really.


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