Superhero Media: Swamp Thing (1982)

After watching the disappointing Swamp Thing television programme, I went through what other Swamp Thing media I had access to, to get a better feel for the character. Mostly comics, and mostly guest spots at that, I did find that I had a digital copy of the 1982 film adaptation on my hard drive from somewhere, so I checked that out. Swamp Thing is amazing! A prime slice of direct-to-video, 1980s cheese, complete with exactly the kind of cast and crew that makes you want to go back to this again and again, despite the dodgy costume and cookie-cutter story. Directed by Wes Craven, only his sixth time in the chair, and starring Ray Wise and Adrienne Barbeau in the leads, this could almost be an alt-universe prequel to Twin Peaks, if that's the kind of odd mental gymnastics you're into. Following basically the same story as the series, science goes wrong, Swamp Thing is born from an accident and then we chase a monster around for about sixty minutes. 

Look, I, and pretty much any other fan of Swamp Thing, really prefer when the comics are about comparative mythology, spiritualism and postmodernist philosophy, but that's not really going to make a good film; or at least a film most audiences would want to watch. Once you strip away everything that makes Swamp Thing unique, you're left with a monster in a swamp and yet another retread of Frankenstein. With that being the case, I'd much rather sit through a quickie monster movie than a ponderous series that fails to capitalise on the premise in any significant way. Plus this version ends with a a sword fight with a pig man rather than a spoiler for a terrible villain, so what more could you ask for, really? I think the only real missed opportunity, other than a gloss coat on the Swamp Thing costume to make it look wet, is that Jeffery Combs isn't playing the villain, who is seeking a lurid green goo to make himself immortal. 

Also, a young Reggie Batts, of absolutely nothing else, plays Jude, the best "sassy black kid" in any film you will ever see. I was really disappointed to discover that Swamp Thing was his only appearance, he was the best part of many scenes. Despite the director, cast and material, Swamp Thing doesn't tend to enjoy the cult status of, say, Spawn or The Maxx, which I would say is due more to the overall blandness of the picture than any individual blemish. Individual parts of the film are fine, even great for moments, but it never coalesces into anything more than a mildly interesting watch. I seem to remember reading that there are a number of films in this series, but the internet was a bit light-on for information with just a quick search. If there's more, you can be I'll track them down at some stage, but for now I'm thinking maybe some Troma to keep the schlock vibe going? Also some other oddities in the pipeline, but time will tell.

Miniatures Finished: Twin Moons

Been a little while thanks to getting Nocturnal together, but finally finished up a few more minis. Nothing in particular, other than finally getting to my own MCP collection, just what came to hand after moving house.

The Leader: A little odd that I hadn't yet got to this iconic Hulk villain yet, especially because I go through big Silver Age patches in my painting. Orange and blue is always fun to paint though. Heroclix

Moon Knight: I wasn't happy with my old one, so I got a new Moon Knight, really happy with how the white turned out on this one, wish I could get results this good consistently. Heroclix

Paralax: It may be telling that I read comics in the '90s, as this is probably my favourite costume for Hal Jordan. It just oozes power and strength and I'd love to see it return when Hal wasn't possessed by a fear parasite. Heroclix

Moon Knight: My first MCP model, obtained when a friend wanted to split the Blade out of the box. A lot nicer than the starter box ones I did for work, but the white isn't as nice as my Heroclix version. Atomic Mass Games

Zubatman: In an alternate reality, Bruce Wayne defends Fuchsia City from Team Rocket as the Dark Knight, Zubatman! This was a joke I made once on Facebook and could never get out of my head, because it just gets better the deeper you dive. Typically used as a Daredevil stand-in for MCP. Converted Heroclix

Yamcha: Ordered this thinking it was 28mm, but turns out it was scaled for MCP, so he got done up as a proxy, usually Iron Fist or Wong for my Defenders. Fantastic model to paint and really happy with the result, big recommend for their service and STLs. damange83

Superhero Media: Dragon Ball Super - Broly

Finally, a genuinely good film with Broly in it! Well, the second half is really good, at least. And the version of Broly presented is different in a lot of ways from the previous incarnation, so it's almost a new character; but Broly is still amazing, right? Well... Look, if the Dragon Ball Super version of Broly had been the first one, I'd probably be fine with the character, but having lived with the Broly fanboys since the late 1990s, I'm kind of just done, sorry. Recasting Broly as a childlike innocent forced by his father's hubris to live on a nightmare world for most of his life before happenstance improves his lot is at least more interesting than having him hate Goku because he cried a lot that one time they were babies. The thing is though, Broly is still pretty shallow, even for a DB character; he gets mad and loses control and is really powerful for unclear reasons. Once the fight starts, it's great, on the best looking fights in DB history, hands down, and it manages to stay engaging for most of it, but the time to get there isn't all that great. 

What Broly does have is some interesting world-building that I really enjoyed, like having characters who joined Freiza's army for a diversity of reasons and Bulma using the Dragon Balls to keep herself young. That is so bang on for who Bulma was back in the Dragon Ball days, it's nice to see character continuity over such a distance of time. Bra is born, so hopefully we'll have some more of her down the track if we get more DBS at some point, I like that a Sayian character exists who isn't into fighting and would rather spend time at the mall. It makes a nice contrast to Goku and Vegeta, whilst also showing more of the slow integration into humanity that started with Gohan. I think I've asked this before, but why are fans so hyped for Gogeta, but less so for Vegito? I really cannot tell the difference between the two other than the cosmetic and method of fusion. Super Sayian God fusion is pretty fun though, especially with the return of failed fused forms, which was always a nice touch, given how ridiculous the power levels are at that point. 

I know a fair few people are big on the Broly soundtrack as well, but I really don't get it. It's just anime music with the characters' names being chanted, nothing special as far as I can tell. I do enjoy getting to see a more devious side of Frieza, who plans and schemes a lot more than he has in the past; making smart choices for the most part and making use of what advantages he has over Goku and Vegeta. The real star of Broly however, is the animation, which seems to draw as much from Into the Spider-Verse and psychedelia as it does traditional Shonen anime, with a fluidity of motion unlike essentially anything that has appeared in DB before. With the continued addition of cell-shaded CGI to help flesh-out the fight scenes, Broly is a visual delight, even if much of it is two or more burly men without shirts punching each other and yelling. Broly probably isn't a good jumping-on point for the broader DB franchise, but I really hope it does indicate what's in the future. More experimental animation, revising Movie characters into better versions and building the setting apart from the Sayians.

Team Finished: Elements

Although the Equalisers are one of the largest and most enduring superhero teams in the world, and the European Super Soldiers are perhaps the best funded and merchandised, neither are regarded as the greatest or strongest team on the planet. That honour tends to fall to Elements, a quartet of powerful super-beings that are not so much a traditional team, as a collective that works to their own agenda, most often falling in favour of defending humanity. Assembled by Der Flieger, only one member of the team has not spent time in prison previously and each is remarkably powerful in their own right. Combined, Elements may represent the greatest concentration of superhuman power on the planet.

To pose Elements as the rivals to The Equalisers would be somewhat legitimate, though also a gross oversimplification. There are grievences between both teams, that have spilled into violence in the past, but there are far more instances of the two cooperating when the chips are down. Elements have the raw power on their side, but often the sheer number the Equilsers can deploy can carry the day against the existential threats. On those rare occasions that all four Elements are gathered, it can be a dark day for the planet, but if any collective can save humanity, it is they.

Helia, Der Flieger, Sharkman and Tempest, The Elements.

Tempest (Heroclix) and Helia (Reaper)

Tempest (Michael Loeb): Perhaps the most famous mutant terrorist in the world (prior to both Athena and The Mutant Scion emerging), Tempest is an Australian First-Peoples man who originally worked for Alpha Section in ARMOUR prior to the founding of the Equalisers. Working as a Metahuman asset for the Australian Defense Force, Tempest found himself most often deployed against other Mutants and soon chafed at the role, feeling that he was betraying his people. Being under Wildcat (Edward Caan) also caused friction and soon the two came to loggerheads, resulting in widespread destruction in Melbourne from a superhero fight that killed several members of Alpha Section and resulted in the public revelation of Metahumans for the first time since the Second World War. After the "Tempest Event", Loeb was imprisoned in the Boomerang Facility, ARMOUR Headquarters, for several years until the Pendragon attack on the facility, where he was freed. Rather than taking part in the ensuing battle, Loeb fled and avoided interacting with Superhumans for several years until the Blackwing Assault drew him into the open once more. Approached by Der Flieger, Loeb agreed to help form a team free from national alignment or corporate oversight to help defend the world against larger threats.

Helia: With her true origins shrouded in mystery, the woman known only as Helia first emerged shortly after the Pendragon attack on the Equalisers and appeared to already be working with Der Flieger at the time. Current consensus puts Helia as a mutant, though her demonstrated level of power is significantly higher than most observed mutants, Tempest, Athena, The Mutant Scion and Wildfire being the notable exceptions. Able to generate extreme levels of heat within her body at no harm to herself, Helia can literally melt or burn her way through any barrier or foe. More so than any other member of Elements, Helia is rarely seen in the field, as her powers can cause a great deal of unintentional damage, but when she does appear, the effect can be devastating to friend and foe alike.

Sharkman (reaper) and Der Flieger (converted Heroclix)

Sharkman: The enigmatic Sharkman has a chequred history, first being sighted attacking fishing vessels and oil platforms, but then becoming instrumental in the Equalisers' defeat of the Black Wave. In fact, Sharkman's being a member of Elements was not confirmed for years after he first appeared, with many labeling him a villain because of his anti-capitalist actions, especially against the fossil fuel industry. Many have softened on Sharkman's radical politics due to his work with the Elements, though he has not truly slowed in his attacks on whaling vessels and oil platforms. Sharkman has never spoken on any record, though Der Flieger and Wildcat assert that he can talk in a fashion, just chooses to remain taciturn much of the time.

Der Flieger: Once a living symbol of Aryan supremacy, then branded a war criminal, the man known as Der Flieger (the Flyer) has ever struggled to forge his own identity. Famously defeated by Red Tide and WRN during the battle of Berlin in the closing days of the European war, Flieger was unable to be executed after the Nuremberg trials so was incarcerated and forgotten about for decades, until a private equity firm began to advocate for his release. After being freed, Flieger found himself working for Morgane le Fey as a member of Pendragon Security for an attack on the Equalisers. Defeated again, this time by Colonel Quantum, Flieger surrendered to custody, but was soon released. Allowed his own choices for the first time in his long life, Flieger was drawn to the superhero lifestyle, attempting to repent for his time with the Nazi Party by using his strength, invulnerability and flight to help people in need. Forming Elements was something of an organic process, with the team just coming together as Flieger met other metahumans with dark pasts, though as time went on, the team gelled and became one of the most powerful superhuman forces on the planet.

Superhero Media: Infamous Iron Man

In a world were Tony Stark has sacrificed himself to save the Earth from an alien menace, who will fill the role of Iron Man? The answer is, of course, Victor Von Doom. After the events of Secret War (the other one), Doom is returned to Earth, Latveria is in ruins and he has had the epiphany that being a "villain" has not turned out they way he wanted. The natural conclusion that Doom reaches? Become the new Iron Man. As a big fan of Doom, I like seeing him in the hero role, even if the concept is a little trite. Doom 2099 was great, and I should probably read it again at some stage, but Infamous Iron Man hits all of the right notes and goes about as far as you can in the 616 continuity. Seeing Doom work through his emotional baggage, and struggle to interact like a human sometimes makes from some great quiet moments, and some exceptional character scenes when other characters interact with the "new" Doom. 

The artwork, by Alex Maleev, has an impressionistic look, which suits the theme of Doom's disassociation from his former self, but the action scenes are pretty ugly and hard to follow as a result. And that's when the art doesn't cop-out by cutting away, or just not really showing the climatic fight, a magical battle between Doom and Mephisto with Doctor Strange helping out Doom. That could have been really visually interesting in the hands of a better artist, but really lets down the epic conclusion of the mini-series. Of course, it doesn't help that Brian Michael Bendis barely writes a finale, but I'm willing to cut him a little more slack given how many comics Marvel has him writing every month. Again, the smaller moments, like Doom talking to Ben Grimm or exchanges with Ironheart, are where Infamous Iron Man is strongest, as Doom is one of the smartest people on the planet, making excellent points, while all anyone can remember is the several times he nearly destroyed the planet and/or killed a bunch of people. 

Although this is just a mini-series, Victor Von Doom, the Iron Man, continues on in some Avengers comics, but all things being as they are in comics, by the time you're reading this, Doom has likely long-since returned to his old ways. As much as retcons and reboots are something comics fans like to complain about, returns to the status quo are how we get fun little diversions like Infamous Iron Man. Of course Stark will return to the suit at some point, but the comics where Doctor Doom is a hero and everyone is blindsided will sit on my shelves for years to come. Currently there isn't a Heroclix version of the character, but as soon as one isn't a silly price on the secondary market, I'll be sure to be grabbing one for my collection of Dooms. Also certainly a consideration for my "AvengerZ" articles down the track, if I ever get back to them.

Soopha Dewper Super Sayians - Part 7

In attempting to get more of my friends to play the Dragon Ball Z Collectable Card Game (FuZion Format), I've had to start approaching it from a more Magic the Gathering-based perspective. You see, most of the people I play cards with only play Commander, a MtG multiplayer variant, so framing FuZion through that lens could well help me bring some of them across. Something card players like pretty much more than anything else is shiny cards with nice art, especially foiled versions if they can get them. So if I were to make a deck that was full of foiled cards that had a play-style analogous to a popular Magic deck, well maybe that'd give me a way in, right? So anyway, that's why I built Blue Ginyu.

For those that never played the Dragon Ball Z games, especially the Panini version, and are only familiar with the anime, building Captain Ginyu may seem like an odd choice, however, Ginyu was once the best decks going around. Each turn in FuZion, you start by powering up and then drawing three cards, with some clever deck building, you can probably get more cards in your hand, but having more than three attacks and/or blocks is pretty rare. What makes Ginyu different is that he can pull out his Allies (the rest of the Ginyu force) and they can do the fighting for him. When the format had a limited card pool, Allies could be very deadly, and there's still room there for good decks. In fact, I had a Ginyu Force Orange Allies deck before FuZion came along and have considered bringing it back as Freestlye Beats.

I also decided to jump in on the My Hero Academia CCG, because a few people at work were giving it a go and it looked cool. I've only played with the intro decks so far, but the mechanics are fun and there are almost no dead cards in the entire game. I'm going to start building an All Might deck, mostly because I pulled good cards for him and he looks easy to play, but also because my other option is the short guy who throws his balls at people. Not going to cover everything about the game and my deck building here like FuZion unless I start playing it a lot, but it's another Superhero card game, so of course I had to take a look, even if I'm not a huge fan of the programme. Interestingly, this game is based on the UniVerses system by Jasco, so, in theory, I could play my My Hero Academia characters against the old Megaman card game characters? I'll look more into that, even if I'm also not a big Megaman fan.

Superhero Media: Indestructible Man (1956)

My extended Golden Age kick continues with this supernatural Noir thriller starring none other than Lon Chaney Jr! Notorious criminal Charles "The Butcher" Benton is executed for a violent robbery, taking the secret of the stolen cash to his grave, but the intervention of a well-meaning scientist brings him back to life, stronger, tougher and completely Indestructible! More of a detective story, and a riff on Frankenstein, Indestructible Man has plenty of great fodder for pulp and Golden Age supers games. A mute, bulletproof, revenant criminal is a brilliant antagonist for just about any hero, as he looks like anyone else, but can't be stopped. Probably the best element of The Bucther's character is that he isn't on a rampage, he wants his money, his girl and to get revenge on the three people who turned States' Evidence against him, but the only people that get hurt are the ones that get in his way. It reminds me of classic monster villains like the Glob or Missing Link; there's a pathos and tragedy to the character that is endearing. 

Facing down The Butcher is police Lieutenant Dick Chasen (no, really), the kind of no-nonsense detective Noir is famous for, with a drinking problem and high-waisted trousers. Not all that distant from, say, The Spirit, The Shadow, Phantom Reporter or even early Batman, when you get down to it. A mute, bulletproof criminal bent on revenge would make for a challenging antagonist for any character without a lot of powers, and opens the door for scientific and/or magical solution, as well as mundane ones; in the film, The Butcher is taken out by a massive electrical current. Perhaps "evil Luke Cage" isn't the best concept for a recurring or ongoing villain, but various takes on Frankenstein's Monster are already prevalent in comics, so one more can't really hurt. Man, I really want to run a Golden Age campaign now, I should finally buy that copy of Pulp Alley. 

If you're not a regular viewer of classic films, Indestructible Man may be a tad difficult to digest, not just with the acting and cheap camera work typical of this kind of matinee fare, but in some of the ways they tend to date. For example, the film ends with Chasen proposing to his girlfriend, after having gotten her fired from her job so that she has to say 'yes' or lose housing; yikes. Seeing Police arm themselves up with BARs and Flame throwers is fun, but in this age of militarised police, there is an undercurrent of discomfort, especially as the plan from the beginning is to kill a man. The idea of a character's only power being invulnerability to harm is pretty interesting to me, I have such a character in my Equalisers team, and I'll explore it more down the track with a book I'll talk about here, but it's interesting to think that it's usually a secondary power, or part of a suite.